Frédéric Malle and his Perfume Designers want the same things: creative freedom, access to the highest quality raw materials, and time. Together they collaborate as authors would with an editor, constantly revisiting compositions to the point of perfection, and always striving to create the modern classics of tomorrow.
one of our 12 perfumers
As a disciple and close friend of the legendary Edmond Roudnitska (creator of Le Parfum de Thérèse), Jean-Claude Ellena developed, over the years, a unique minimalistic approach to perfumery. This distinctive style, which is continually informed by his elegant and quiet way of being, has been compared to watercolor sketches and chamber music. Ellena says that a perfume must be like “a soft caress; nothing must shock, nothing must shout.” Edmond Roudnitska’s minimalism never left him, however, and his compositions remain focused around a few ingredients, avoiding repetition.
Jean-Claude Ellena was born in Grasse into a family of perfumers. His training began at age 17, in the most prestigious laboratories – in Grasse, Paris, New York and Geneva – where he always saw himself as self-taught. He met Frédéric Malle at Givaudan Roure when he was working on Bulgari’s Eau au Thé Vert. He composed one perfume a year for Editions de Parfums before joining Hermès.
ROSE & CUIR
At the fore, an emphatic reinterpretation of rose; pure, streamlined, uncompromisingly modern. Blended with a unique extraction of timut pepper, geranium bourbon and a note of cassis for freshness and spice. Yet a quiet storm lies beneath: vetiver and cedar forms an earthy bed of dark, mysterious leather with IsoButyl Quinoline at the center – an intensely bitter molecule, largely forgotten since its use in the daring perfumery of the Jazz Age.
At once sparkling and sober, a recognisably floral composition is shadowed by a dramatic, yet controlled sensuality.